The Larry McDonough Monthly Jazz Series Presents
You Must Believe in Spring - Tony Bennett and Bill Evans 45 Years Later
Sunday, January 26, 7:00-9:00 p.m.
Black Dog Café
320 Prince Street
Corner of Prince (4th Street) and Broadway
Lowertown, St. Paul, Minnesota
Phone: (651) 228-9274
Larry McDonough, Vocals, Piano and Arrangements
Richard Terrill, Saxes and Poetry
Greg Stinson, Bass
Dean White, Drums
No cover but $10 donation suggested.
Reserve your seats at (651) 228-9274.
Come for the fourth show of the new Larry McDonough monthly Sunday Classic Jazz Series at Black Dog Café.
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The Larry McDonough Quartet (LMQ) celebrates the two recordings of legendary pianist and composer Bill Evans and vocalist Tony Bennett. LMT has performed the show at Jazz Central, the Dakota, Vieux Carré, The Warming House, the Aster, Merlin’s, and the Arts Center of Saint Peter to enthusiastic crowds.
Bill Evans rarely performed with singers, so it was big news to some in the jazz community when Evans and Bennett recorded and released “The Tony Bennett Bill Evans Album” in 1975. The album included pieces each had done separately, such as Waltz for Debby (Evans) and The Touch of Your Lips (Bennett). In 1976 they recorded “Together Again” for release in 1977.
Both albums showed Evans’ skill in accompanying a vocalist while adding the complexities that he displayed in his solo and ensemble performances, and exhibited Bennett’s expressive range from bold and commanding to soft and delicate. Unfortunately, the albums flew under the radar screen of the larger jazz scene with the popularity of the jazz fusion of Chick Corea, Herbie Hancock, Weather Report, Miles Davis, and John McLaughlin.
This is not a traditional “tribute” show where musicians imitate great artists. No one sings like Bennett and no one plays like Evans. Each piece they recorded together will be presented with beginnings similar to the recorded versions, but where they go from there cannot be predicted.
Larry takes on the challenging roles of both Evans and Bennett to educate younger listeners about these great artists and to remind seasoned listeners of this pair who never recorded together again. Evans died in 1980. Tony Bennett is 93 years old, lives in New York City, and continues to perform.
Joining Larry are sax player and award-winning poet Richard Terrill, bassist Greg Stinson, and White Bear Lake drummer Dean White. In the first set, they perform a sample of pieces from the two albums, each beginning with just voice and piano and other members of the ensemble joining through the piece. Selections will include The Touch of Your Lips, Some Other Time, My Foolish Heart, Waltz for Debby, Make Someone Happy, You Don’t Know What Love Is, You’re Nearer, and You Must Believe in Spring.
In the second set, they add pieces that Evans and Bennett recorded separately but never together, including We Will Meet Again, Detour Ahead, I’ll Be Seeing You, and I Will Say Goodbye. Perhaps Evans and Bennett would have recorded these songs together if Evans had lived longer.
Richard Terrill adds poetry about Bill Evans.
In “You Must Believe in Spring,” you hear what Evans and Bennett did and what might have been.
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Here are a couple of great finds on YouTube about Bennett and Evans. Film composer Evan Evans, son of Bill Evans, posted a video of interviews with Bennett and others about the collaboration.
A rarely seen 1977 Canadian Broadcast Corporation Concert now is on YouTube.
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The Larry McDonough Quartet
Larry McDonough is a St. Paul jazz pianist and singer, performing around the world and recording with his group the Larry McDonough Quartet as well as solo, and in duos and trios. He has performed with legendary saxophonist and composer Benny Golson, Trombonist Fred Wesley, and trumpeter Duane Eubanks, as well as a who’s who of local jazz artists, and was inducted into the Minnesota Rock Country Hall of Fame for his work in the group Danny’s Reasons. He has released nine CDs and DVDs as a leader. Alice in Stonehenge and other AcoustElectric Adventures has played on radio stations and streaming services around the world. The CD charted #18 on the Roots Music Report’s Top 50 Jazz Album Chart. Simple Gifts reached number 29 on the CMJ Jazz Chart and also has been played on hundreds of stations around the country and throughout the world. He also is a lawyer and law professor selected by William Mitchell College of Law as one of “100 Who Made a Difference” over the 100-year history of the school. Larry directs pro bono legal services for the poor at Dorsey & Whitney.
Richard Terrill, sax player and Minnesota State University Mankato English Professor, received the Minnesota Book Award for Poetry for his poetry compilation “Coming Late to Rachmaninoff” (University of Tampa Press, 2003). Richard has been performing with Larry McDonough since December 2001. He also has performed with guitarist Jim McGuire and with Chaz Draper’s Uptown Jazz Quartet. As a college student, Richard was a member of the award-winning University of Wisconsin-Eau Claire Jazz Ensemble and performed with later-to-be Pat Metheny keyboardist Lyle Mays in the Lyle Mays Quartet, winner of small group honors at the Midwest College Jazz Festival. He has also worked with pianist Geoff Keezer. Richard is a retired English professor from Minnesota State University, Mankato.
Bassist Greg Stinson plays in several bands around the Twin Cities. He has been the bass player in the Century College Jazz Ensemble for more than 25 years. He also plays in the CC Septet, Shorn Hortz Quintet, Paul Berger Trio, the St. Croix Jazz Ensemble, and regularly subs with the Nova Contemporary Jazz Orchestra, Classic Big Band, and Cedar Avenue Big Band. Greg spent many years playing saxophones, guitar, bass, and vocals in jazz/rock and variety bands in the area. He is an active composer/arranger with jazz charts in the books of the Century Band, Nova, CC Septet, and others. He has also written a number of choral arrangements and compositions for school and church groups. Greg was a band and choir director in public and private schools before changing to his career in telecommunications technology, now retired.
Dean White grew up in Superior, Wisconsin, and played in various working bands while attending the University of Wisconsin, Superior. After graduating with a Bachelor’s degree in percussion performance, he moved to Hollywood, California, to attend Musicians Institute College of Contemporary Music. Half-way through the first year, Dean was offered a main showroom gig at the Imperial Palace in Las Vegas. He was the first drummer in the Legends In Concert Show that still performs in various incarnations across the country today. He left Las Vegas to join Tony Axtell and Toshi Hinata in Tokyo to write and play original music. Since settling back in the Twin Cities, Dean has performed with many groups, including Good, the Bad and the Funky; the Autobody Experience; Century Big Band; Nova Jazz; Big Time Jazz Orchestra; the Shorn Hortz jazz quintet; Power of 10; Jack Knife and the Sharps; Tubby Esquire; Hennessy Brothers jazz; and many others. He has also studied privately with Gordy Knudtson and his Open/Close hand technique. Dean feels blessed to be part of the rich music scene in the Twin Cities.
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Contact information:
Larry McDonough
651-398-8053
